Samplings: Antique samplers and silk embroideries from M. Finkel and Daughter M. Finkel and Daughter: Leading Dealer of Antique Samplers and Needlework
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Chamba Rumal,
Himachal Pradesh, India,
19th century

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Sight size:
22½" square


Research available

Price: $4200

 

Enlarged and Printer Version

Chamba is a district located in the hills of Himachal Pradesh in India. The rumal, or embroidered handkerchief, is the form for which Chamba is well-known. One particularly interesting type of rumal was used to wrap small gifts for special occasions, such as a wedding or a temple offering, and we offer such an example.

Rumals have been poetically described as "images of miniature painting on fabric." Customarily the local miniature painters would draw an image onto the delicate hand-woven cotton, in many cases suggesting as well the color palette to be used by the embroiderer. Women, traditionally of a higher caste, would then employ a reversible stitch called "Do-rukha," meaning double satin stitch, filling the line drawings with embroidery worked with vibrant vegetable-dyed silk thread.

Rumal were revered for their richly colored embroidery and for their significance of subject matter; in many cases Krishna legends. This particular scene depicts Krishna seated on a lotus blossom with his consort, Radha. The Ras, or Rasa dance is being performed around them by gopis (Krishna's topmost cowherd girl devotees, or milkmaids). During this dance the gopis travel in a circle and rhythmically hit sticks as they move. Krishna has multiplied himself so that each gopi feels as if Krishna himself is dancing solely with her. The identity of sprightly figure in the corner is unclear; it may be Shiva, who was the eternal protector of the Rasa dance, but whom was not allowed to participate.

This rumal was in the collection of Carlotta Mabury, an Englishwoman who collected widely in the East at the beginning of the 20th century and donated much of her collection to the Museum of Fine Arts, San Francisco. Worked in silk on very fine hand woven cotton, the rumal remains in excellent condition, and has been conservation mounted into a molded black frame with a gold liner.

For further information on Chamba rumals an article entitled "Chamba Rumals: Ministure Painting in Thread," p.36, was published in Piecework, July/August 2002 issue. A photocopy of the article, which illustrates similar examples, accompanies this rumal in its file.

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Current Selections

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Samplers Listing

Nancy Abbet, Instructress Susan Grout, Grafton, Massachusetts, 1803
Mary Chamberlain Adams, Utica, New York, 1834
ASF, German sampler, dated 1766
Julia Margaret Bachman, Charleston, South Carolina, 1833
Charlotte Baker, Franklin, Norfolk Co., Massachusetts, 1822
Henrietta Salara Baker, Plaistow, New Hampshire, 1823
Sarah Elizabeth Bannister, New England, circa 1820
Beadwork Picture, France, circa 1830
Pair of Birds and Rings Silk Embroidery, Europe, circa 1820
Annie E. Blinkhorn, Royal British Girls’ School, Southampton, England, 1867
Chamba Rumal, Himachal Pradesh, India, 19th Century
Mary E. Clark, Woodstock, New Brunswick, Canada, circa 1850
Nancy Clark, Tewksbury, Massachusetts, 1818
Sarah Clark, Tewksbury, Massachusetts, circa 1812
Henrietta Daniels, Glover, Orleans Co., Vermont, 1829
Basket of Flowers with Butterflies and Sheep, Delaware, circa 1810
Grace H. Dougal, New Haven, Connecticut, 1830
Dutch Motif Sampler Initialed LVG, 1786
Elsey Earle, under the instruction of Miss Field, Bergen County, New Jersey, 1806
Mary Ann Egee, New Jersey or Pennsylvania, 1830
Pictorial English sampler, circa 1810
Maria Fondersmith, Pennsylvania, circa 1825
Rebecca C. Fritts, Nine Partners School, Dutchess Co., New York, 1826
Charlotte Frye, Andover, Massachusetts, 1811
Geffroy Family Print-work Silk Embroidery, Mary Balch School, Providence, Rhode Island, circa 1818
Unfinished Motif sampler, Germany, circa 1770
Louisa Caroline Green, Triangle, Broome Co., New York, 1835
Minerva E. Hardy, Lunenburg, Virginia, 1825
Mary Ann Harrison, Pennsylvania, 1827
Highland Scene Silk Embroidery, Scotland, circa 1830
Hannah Hocknell, England, 1832
Sarah Holl, England, 1805
Mary Howe, England, 1832
Lydia Ann Ingham, Essex, Connecticut, 1830
Motif Sampler, Italy, circa 1820
“John and Ellin” Ship sampler, England, circa 1825
Charlotte John, Regent Town, Sierra Leone, 1843
Kandy School Missionary Sampler, Ceylon, 1884
Ann Kitching, Ackworth School, England, 1822
Sophie Letailleur, France, 1848
Sally G. Lovejoy, Wilton, New Hampshire, circa 1810
Sarah Martin, Ormskirk, England, 1830
Eliza Ellen McIntire, Mrs. S. B. Bowen’s School, White River, Randolph County, Indiana, 1836
Hannah Merrell, Barkhamsted, Litchfield Co., Connecticut, 1829
Julia Naden, American or English, 1837
Sarah Parker, Depiction of the Massachusetts State House, Pepperell, Massachusetts, 1811
Sarah Parker, Massachusetts, 1799
"Memen to Mori" silk embroidery, Moses and Elizabeth Peck, Boston, Massachusetts, circa 1810
Pennsylvania German Sampler dated 1820, Warwick, Lancaster County, PA
Les Pensionnaires Pieuse, France, circa 1820
Pocketbook, European, late 18th century
Pocketbook, European, circa 1790
Pole Screen, Scottish, circa 1840
Punched Paper, worked to celebrate Geo. Washington, American, circa 1875
Postrema Ridgway, Burlington Co., NJ, 1805
Sablé Beadwork, Coat of Arms, France, circa 1750
Eliza Sanger, Newton Academy, Mass., 1805
Mary Ann Shead, “The Great Exhibition”, High Laver, Essex, England, 1854
Cynthia Smith, Haverford, Pennsylvania, 1830
Elizabeth Stanford, probably Scottish, circa 1790
Stanwood Family Silk Embroidered Memorial, Massachusetts or New York, circa 1805
Abigail Staples, Prospect, Maine, 1841
Fine and Rare Nantucket Miniature Memorial Quaker Sampler to Lucretia Starbuck, circa 1812
Maria L. Stauffer, Lancaster Co. Pennsylvania, 1867
Isabella Taylor, Birmingham, England, 1783
Elma M. Tripp, Washington, Dutchess County, New York, 1830
Chloe W. Waite, Hubbardston, Mass., 1816
Kitty Waterman, England, 1804
Mary Winney, Scottish or American, 1804
Eliza Woods, Pettigo School, Ireland, 1849
Ann Wright, England, 1840
Silk Embroidery of Zebras, Continental, circa 1820

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